a space in-between, a space on the way. mediating the loud train ride through a macbook microphone and earlier piano sample to test functionality of the patch accidentally re-situates the listening experience as active and real-time.
the presence of everything, nothing shouts importance ... quiet is quieting ... (Gordon Hempten)
in situ slow-evolving conducting/scheduling
first thing in the morning, open up the routing-matrix patch from yesterday, pull in a looped piano recording.
filtered in feedback and filtered again.
route tapeshift~:dac~ 1 10000
X
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metro 125
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route sf~:dac~ 1 0; route sf~:dac~ 0 0 10
routing matrix with variable fade-time working
recordings feature prominent low-end ambience from traffic - how to use this? filter it out?
how to work with droning car sounds? trying to reinforce/mask them with sinewave organ.
testing sequencer with pp.grainer~ and KHG organ sample
process=khg-organ.wav:pp.grainer~
[pp.grainer~]<:([tapeshift~].[pan~].[fade~],2)
ma jumps on piano loops
patch notes: two asynchronous loops, one ma loop
tapeshift~ delay on live input
would be nice: easy control of tapeshift~ volume (at least)
testing chord with rhymthic 1/8 playpos jumping as carpet
listened through through schmalfußs tape-IR. consider feeding through, re-recording?
todo: add playpos-jumping module
past sound as rhythmic pulse
spring between random segments of the loop
every 1/8, jumping 1/8*lengthOfLoop * random(8)
1 mic in room with piano with loops and tapeshift
fix:
todo:
getting back to the launchpad-looper-router-interface, checking that it works as expected after a few days away. testing with a sample
patch notes: sample (taiwan-junglebirds.wav) looped, buffer looped, routed into tape-shift effect with feedback, starting to find something, hit record
todo:
